She haven’t shaved down there ,and that is something that made her so popular in AV industry. Her pussy have became famous because of her hairstyle. We watched many of her scenes ,and we know you all This girl loves to have sex ,and loves to show her hot body. It is obvious she just had sex, or masturbated ,because her pussy is so wet. She began her career in adult videos in 2005 at the age of 19 and her exotic beauty has made her one of the most popular AV actresses in Japan and abroad… Her father is French-Canadian and her mother is Japanese but she was raised in Japan and speaks both English and Japanese. In Japan, she is referred to as an AV Idol. Maria Ozawa is a Japanese adult video actress. Links must be to a Maria Ozawa page or a Maria Ozawa gallery. She does fashion modeling, nude modeling as well as hardcore bukkake films. She has flawless proportions and the face of an angel. She is by far the most famous models to come out of Japan within recent years. Maria Ozawa was born in Hokkaido, Japan in 1986 and started her nude modeling career in 2005. Always gotta love some personal pictures of Miyabi and her friends. She looks absolutely gorgeous taking it, her pussy lips are flipping inside and out as her nice wet pussy is getting more and more juicy.
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While the ballads are the gems of the Decca years, Holiday also affectionately and convincingly revisited blues from Bessie Smith's book and did two sparkling duets with: 'You Can't Lose a Broken Heart' and the sassy 'My Sweet Hunk O'Trash.' This collection is essential to a full appreciation of the artistry of Billie Holiday. But on these recordings the artistry is still a beacon illuminating the pity and pathos in such songs as 'Lover Man,' 'Don't Explain,' 'Good Morning Heartache,' 'No Good Man' and the strangely exhilarating version of the gloom and doom 'Deep Song,' a lesser-known rarity worth seeking out. On the Decca recordings (late 1944-early 1950), we hear Holiday perfecting the art of seamless narrative phrasing and musical panache on ballads, but also hints of the deterioration of her voice (from booze, drugs and cigarettes) that make her sound so scarily vulnerable on her later '50s recordings of some of the same songs. 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